Donald's Encyclopedia of Popular Music

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PALMER, Earl

(b Earl Cyril Palmer, 25 October 1924, New Orleans LA; d 19 September 2008, Los Angleles CA) Session drummer who helped to invent modern rhythm & blues as it swept on to the white pop chart in the 1950s, and then became one of the busiest freelancers in Hollywood.

He began tap-dancing by age 5 in black vaudeville circuit; his mother was a singer and they toured with Ida Cox's revue. He learned drums after serving in Europe during World War II, returning to New Orleans and studying at the Gruenwald School of Music on the GI Bill. 'I had the advantage of knowing music before I played it,' he said in an interview in 1993. 'Being a dancer gave me an understanding of rhythmic time, and you can't teach that.' He began playing drums and recording with Dave Bartholomew and the house band at Cosimo Matassa's J&M studio in New Orleans, where Fats Domino, Little Richard, Lloyd Price and Smiley Lewis were making classic R&B tracks, and soon storming the pop chart. The sound of Palmer's syncopated bass drum and backbeat became the sound of dance music in the 1950s. 'What we were playing on those early records was funky in relation to jazz,' Palmer told The Los Angeles Times in 2000. '[It] already had that natural New Orleans flavor about the music. I played the bass drum how they played bass drum in funeral parade bands.'

In 1957 Palmer moved to Los Angeles to work for Aladdin Records, and quickly became a first-call session drummer. Palmer recorded with Earl Bostic, Plas Johnson, Larry Williams, Willie Dixon, Eddie Cochran, Frank Sinatra, Doris Day, Sarah Vaughan, the Monkees, Neil Young, and many others, as well as on on the TV themes for Mission: Impossible, Green Acres, The Odd Couple and others. Producer Phil Spector used him in the 1960s on such tracks as 'You've Lost That Lovin' Feelin' ' by the Righteous Brothers, and 'River Deep, Mountain High' by Ike and Tina Turner. In more recent years he played with Randy Newman, Elvis Costello, Bonnie Raitt and B.B. King, among others. He was inducted into the Rock'n'Roll Hall of Fame in 2000.

As electronic drum kits and digital sampling cut into his studio work, Palmer went back to playing jazz in local clubs and became involved with the musicians' union, working for credit and royalties for older musicians. A biography, Backbeat, by Tony Scherman, was published in 1999. In 2000 Palmer and Blaine were among the first inducted into a new category for sidemen in the Rock and Roll Hall of Fame.